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SAKO NË KËRKIM TË DASMËS Nga: Prof. dr.Resmi Osmani Novelën “Dasma e sakos”, shkrimtari Vath Koreshi, e shkroi në fundvitin 1979, një vit më pas që, kishte shkruar edhe novelen tjeter “Haxhiu i Frakullës”. Për të, në vitin 1980 … Continue reading
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Lourdes de Abajo (La Bañeza, León, 1974). Poeta y compositora. Profesora Superior de Piano y de Transposición y Acompañamiento. Ha publicado Aniquilación mía (Amargord, 2009), Almendra (Amargord, 2011) libro-cd realizado en colaboración con Luis Luna, Juan Carlos Mestre como … Continue reading
Verdict of the Gods
When gods choose not to let the rain drop, the effort of a rain maker is in vain. The birds of the air always feel betrayed and confused when a thunderous fart is released in the air by an unknown spirit. The land, water and the entire space of Achara which has experienced in the past, peace and transquility, turns into a mourning zone. Night visited Achara community in a broad daylight.Iwu Jeff’s play, Verdict of the Gods is an epic tragedy. It exposes a land in turmoil. But the big question is: can the sins of fathers be visited on their children?
Sleep has become a stranger to the eyes of the citizens of Achara. Eze Obioha, the traditional ruler of the community is disturbed; his emotions restless. An elder cannot fold his arms and watch a goat suffer in parturition. He seeks measures to dispel the spell wreaking havoc in his land as a leader who has the well being of the people at heart, and consequently, his family suffers the same endemic,. He’s traumatised and unrelentingly quests for answers and solutions to the plight of his people.
In page 9 of the play:
EZE OBIOHA : My daughters are down, they can no longer speak…we have followed every smell our nose can perceive, yet we have not seen any rotten thing. Where is the smell of evil coming from? Oh! My ancestors, please give us another eye, another nose, another ear and mouth. The ones we are wearing have no use … Our gods are silent my people. I am not spared from this calamity. The spell is everywhere…
Eze Obioha being a leader who feels the pain of his people, he continually summons his cabinet members to put heads together to find lasting solutions to their problems. The cry of his people has become a thorn on his fresh and he sometimes laments to the gods questioning them on the ways his community or himself has wronged them.
In pag 77, he has this to say;
EZE OBIOHA: …my son died two nights ago; before he died, an extra hand came out through his chest. My daughter was suddenly struck with imbecility… Who did my fathers offend?
Countless questions are asked and ountless visitations, made to the shrine of different Dibias but all efforts prove abortive. The gods remain remain ‘mute’ and ‘tongue-tied’, refusing to draw humans to the closer view of their boiling angers. Drought and famine become two beautiful maid married without a bride price, gummed like bedbugs to their land and refusing to leave. Death toll keeps multiplying on daily basis. The living prefers death as solutions are not in sight. Who will save the dying land?
Amidst the seriousness of the play, Iwu introduces two characters: Ezemma and Nwokeocha, who are members of the cabinet to ease the tension arouse by the unfolding events. These two revered men help to crack the ribs of the readers with comic banter.
In page 20;
EZEMMA: what am I saying? Wisdom! Wisdom! Igwe, I am full of…[Nwokeocha intrudes]
NWOKEOCHA [scornfully] Madman!
EZEMMA: will you shut up and listen to…
NWOKEOCHA: What wisdom can one possibly get from a lunatic? I do not blame you; a child that suckled a goat’s milk will definitely act like a goat even in his old age. You need to return to your mother in her grave so you can have a taste of her breast milk.
EZEMMA: [Rises and faces Nwokeocha] How dare you call my dead mother into this? I see, you have really want to show me that you have grown enough hairs around your manhood.
ELDERS: Chai! [Elders exclaim, laughing and turning left and right] Enough!
NWOKEOCHA: [Stands up, pointing a finger at Ezemma] And you whose hairs are now overgrown into a forest, you need to be weeded…
This play is both revelational and revolutional. On the former, Iwu reveals that there’s more to scapegotism as a concept. Some great African writers Wole Soyinka, Femi Osofisan and a host of others in their various plays, but Verdict of the Gods introduces a new scapegotism. However, on the latter, it demolishes the stereotype created in most African writings, where the God of the new religion is often given ultimate power of purifying African lands of its mess. In Verdict of the Gods, it is different as the African gods reign supreme in sanctifying their people and their lands of sins.
The masterful ink of the playwright is laudable in his ability to select suitable words for his characters. The social standing of his characters are discernable through the quality of their language. Every scene in this play is opened with a beautiful African proverb dancing into your eyes and the use of African proverbs by the characters show the rich culture of Achara community.
From the beginning, through the middle and to the end, the play is suspensely decorated and readers won’t have any reason to drop it for a moment until one gets to the very end. Are you ready to discover the verdict of the gods for Achara people? Are you equally ready to discover how a wounded lion got its healing balm? Grab your own copy of Verdict of the Gods.
Review of Iwu Jeff’s Verdict of the Gods.
Name: Verdict of the Gods
Playwright: Iwu, Jeff
Publisher: Transconventional Publishers
Year Published: July 2020
Number of Pages: 84
Reviewer: Nwokeabia, Ifeanyi John.
Es profesora de Administración de Empresas en Educación Secundaria. Ha realizado los cursos de doctorado en Economía Aplicada, tiene una master en “Asesoría Fiscal” de la escuela de negocios GADE en Madrid. Ha publicado en “El periódico urbano” en … Continue reading
Byron Ramírez, nació en San José, Costa Rica, en 1997. Cursa la licenciatura de Filología española en la Universidad de Costa Rica, donde también realiza estudios en Filosofía. Se ha desempeñado como editor literario y articulista para instituciones como … Continue reading