Flora Brovina u lind më 30 shtator 1949 në Skenderaj. Shollën fillore dhe të mesme ajo i kreu në Prishtinë. Studimet në Fakultetin e Mjekësisë i mbaroi po në Prishtinë. (Kunati im Avni A., shoku i saj i studimeve, më tregon se Flora normalisht erdhi në Fakultet e hipur mbi një motocikletë të tipit “Vespa”, diçka më shumë se e rrallë në atë kohë, shënimi i Ullmarit). Një kohë (1973-1981) punoi gazetare më të përditshmen ”Rilindja” në Prishtinë. Ka punuar edhe me redaktimin e revistave ”Kosovarja” dhe ”Teuta”.
Flora Brovina ka botuar disa vëllime me poezi:
Verma emrin tim (1973)
Bimë e zë (1979)
Mat e çmat (1995)
Thirrje e Kosovës (1999),
(Në kohën kur ajo ishte në burgun e Pozharevacit në Serbi).
Në vitin 1999, në një kohë kur fati i Flora Brovinës pas arrestimit ishte i panjohur, ajo mori Çmimin Tucholsky për vitin 1999 ’in absentia’ nga PEN Klubi Suedez. Fati i saj u diskutua shumë, Televizioni i Tiranës bëri një emision special me pjesëmarrjen e mikeshës së Florës, Natasha Lako, u angazhuan mjaft intelektualë edhe jashtë botës shqiptare për lirimin e saj. Dhe vërtet, ajo u lirua.
Aktualisht është Deputete e Kuvendit të Republikës së Kosovës, përfaqësuese e PDK dhe me funksion : Anëtare e Komisionit për Shëndetësi, Punë dhe Mirëqënie Sociale.
Flora Brovina (born 30 September 1949) is a Kosovar Albanian poet, pediatrician and women’s rights activist. She was born in the town of Srbica in the Drenica Valley of Kosovo, and was raised in Pristina, where she went to school and began studying medicine. After finishing her university studies in Zagreb, where she specialized in pediatrics, she returned to Kosovo and worked for a time as a journalist for the Albanian-language daily newspaper Rilindja. Soon thereafter, she returned to the health care profession and worked for many years in the Pediatrics Ward of the Pristina General Hospital.
As the political situation in Kosovo deteriorated in the 1990s, and fighting broke out, Brovina ran a health clinic in Pristina in which she distributed health care information on matters as diverse as snake bites, dressing wounds and delivering babies. She also used the centre to shelter a number of orphaned children, many of whom had lost their parents during the fighting and expulsions. She and her fellow workers took care of as many as 25 children at a time.
On 20 April 1999 during the Kosovo War, Brovina was abducted by eight masked Serb paramilitaries from the home she was staying in and was driven off by car to an initially unknown destination. She was thus in captivity in Serbia when NATO forces took the capital and Serb troops withdrew from the country. The first news of her abduction broke on 24 April 1999 when her son managed to contact the international writers’ association, PEN, with an urgent appeal that the news of her abduction be made known as widely as possible. She was transferred to a Serb prison in Požarevac and, in her first month of detention, was subjected to over 200 hours of interrogation in 18 separate sessions lasting typically from 7 A.M. to 5 P.M. On 9 December 1999, in a show trial, she was accused of ‘terrorist activities’ under Article 136 of the Yugoslav Penal Code. She spent a year and a half in Serb prisons before being released as a result of international pressure.
As a writer, Flora Brovina is the author of three volumes of lyric verse. The first collection, Verma emrin tim (Call me by my name), containing 42 verses, was published in Pristina in 1973 when she was a mere twenty-four years old. Six years later, in 1979, the collection Bimë e zë (Plant and voice) followed. It is in this collection that some of the main themes of Brovina’s poetry crystallize. Conspicuous among them is the fate of women in society, and in particular the role of women as mothers, as life-givers and nurturers. It is here that births, umbilical cords, amniotic fluid and suckling breasts begin to make their appearance. Along with plants, these are perhaps the most ubiquitous symbols of her verse production. Her third and last collection of original verse, entitled Mat e çmat (With the tape it measures), was published in Pristina in 1995. Mat e çmat appeared at a time when Kosovo was obviously gravitating towards war. Though this third collection cannot be interpreted as political verse to any great extent, there are many poems in the volume which reflect her preoccupation not only with the problems and aspirations of individuals, but also with the fate of her people, with freedom and self-determination.
In 1999, Flora Brovina was recipient of the annual Tucholsky Award of the Swedish PEN Club, a prize which has been awarded to other writers of note such as Salman Rushdie,Adam Zagajevski, Nuruddin Farah, Taslima Nasrin, Shirali Nurmuadov and Vincent Magombe. She is also the recipient of the PEN/Barbara Goldsmith Freedom to Write Award byPEN American Center and the Human Rights Award of the Heinrich Böll Foundation in Berlin.
Despite this international recognition, it is curious to note that, as a poet, Flora Brovina has never been part of the literary establishment of Kosovo, nor has her verse found its way into the mainstream of contemporary Albanian literature. A collection of her verse has appeared in English in “Flora Brovina, Call me by my Name, Poetry from Kosova” in a bilingual Albanian-English Edition, translated by Robert Elsie, New York: Gjonlekaj 2001.
Her youngest sibling Ilir Brovina, born in Pristina, helped figure this crises out. He now lives in America with his family.
- Mcgwire, Scarlett (2001-11-15). “Kosovo’s first lady”. London: The Guardian. Retrieved 2006-06-07.
- “Kosovar Pediatrician Flora Brovina Released from Prison”. Retrieved 2006-06-07.
- “Presidential battle in Kosovo”. CNN. 2001-11-19. Retrieved 2006-06-07.
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